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Home » Articles » Departments > A & E »  Film - Chuck Koplinski
 
Film - Chuck Koplinski | Thursday, November 19,2009

The end never looked so good

By Chuck Koplinski
No one destroys the world like director Roland Emmerich, and 2012 may very well be his masterpiece. Having wiped out humanity in Independence Day, Godzilla and The Day After Tomorrow, the director pul
Film - Chuck Koplinski | Thursday, November 12,2009

Sly cast saves Goats

By Chuck Koplinski
There’s a meandering quality to Grant Heslov’s The Men Who Stare at Goats, an odd but entertaining semi-fictional look at a secret government program whose purpose was to train soldiers to
Film - Chuck Koplinski | Thursday, November 5,2009

Amelia fails to soar

By Chuck Koplinski
Film biographies, or bio-pics as they were called, were a staple of film studios of the ’30s and ’40s, particularly at Warner Brothers which perfected the formula of using A-List stars to
Film - Chuck Koplinski | Thursday, November 5,2009

Jackson documentary sings an incomplete tune

By Chuck Koplinski
I wasn’t sure what to expect from the Michael Jackson documentary This is It but I didn’t anticipate being bored. However, that’s exactly how I felt sitting through this cobbled-toge
Film - Chuck Koplinski | Thursday, October 29,2009

Starting up, Cirque spins its wheels

By Chuck Koplinski
A trend has emerged where franchise filmmaking is concerned. Often, the second part of a given series of movies winds up being better than the first. So much time is spent in part one on the expositio
Film - Chuck Koplinski | Thursday, October 29,2009

Boys walks an emotional tightrope

By Chuck Koplinski
The premise of Scott Hicks’ The Boys are Back has movie-of-the-week written all over it. Joe Warr (Clive Owen), a dad who’s hardly ever around, finds himself adrift when he’s faced with raising his young son after wife succumbs to cancer.
Film - Chuck Koplinski | Thursday, October 22,2009

Odd pacing nearly trips up Wild Things

By Chuck Koplinski
Director Spike Jonze knows he’s treading on sacred ground with his big-screen version of Maurice Sendak’s children’s classic, Where the Wild Things Are.
Film - Chuck Koplinski | Thursday, October 22,2009

Believe the hype: Paranormal a true bone-rattler

By Chuck Koplinski
Bearing the Steven Spielberg stamp of approval and the most effective viral ad campaign since The Blair Witch Project, the $15,000 independent horror feature Paranormal Activity, comes bearing the onu
Film - Chuck Koplinski | Thursday, October 15,2009

When smart people make dumb movies

By Chuck Koplinski
Foxx is Philadelphia District Attorney Nick Rice, a lawyer more interested in how many successful convictions he has under his belt rather than seeing justice done. He cuts deals with opposing counsel with nary a second thought, but that comes back to haunt him when he accepts a plea in a case where two lowlifes are on trial for killing Clyde Shelton’s (Butler) wife and daughter. Firmly believing that revenge is a meal best served cold, the incensed widower undertakes a 10-year plan in which he will have his vengeance not only on the pair who slaughtered his family but also on Rice and the justice system itself.
Film - Chuck Koplinski | Thursday, October 15,2009

Retreating from Couples your best bet

By Chuck Koplinski
While the premise is simple (couples face their problems, couples threaten to break up, couples unite…) in the right hands it could be turned into a sharp-edged commentary on modern married life.