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Home » Articles » Arts & Entertainment »  Film - Chuck Koplinski
 
Film - Chuck Koplinski | Thursday, March 21,2013

Wonderstone encourages us to be amazed

By Chuck Koplinski
My obsession with film began at an early age, and I got my hands on every book I could find on the subject at the local library. It was my father’s fault that I had gotten hooked on cinema, and
Film - Chuck Koplinski | Thursday, March 21,2013

More to Admission

By Chuck Koplinski
About 15 minutes into Paul Weitz’s fine new film Admission, Princeton admissions officer Portia Nathan (Tina Fey) is put through the ringer by a group of exceptionally smart high schoolers who q
Film - Chuck Koplinski | Thursday, March 14,2013

Raimi and Franco save new Oz

By Chuck Koplinski
Is Sam Raimi’s Oz the Great and Powerful a foolhardy endeavor to cash in on one of the most beloved films of all time or an honorable addition to the folklore of this classic slice of Americana?
Film - Chuck Koplinski | Thursday, March 7,2013

Johnson shows surprising range in compelling Snitch

By Chuck Koplinski
Based on a true story, Ric Roman Waugh’s Snitch is far better than it has any right to be. As a vehicle for Dwayne Johnson, going a far way toward putting his “Rock” image in the pas
Film - Chuck Koplinski | Thursday, March 7,2013

Quartet a showcase for veteran English cast

By Chuck Koplinski
Sporting much the same vibe that made The Best Exotic Marigold Hotel a surprise hit and even featuring one of the stars of that sleeper, Dustin Hoffman’s directorial debut, Quartet is a pleasant
Film - Chuck Koplinski | Thursday, February 28,2013

Sluggish Skies fails to realize potential

By Chuck Koplinski
There’s a fine line between building suspense and testing an audience’s patience as well as having the instinct to know when you’ve crossed it. With his first two features, Legion an
Film - Chuck Koplinski | Thursday, February 28,2013

Jack revitalizes classic tale

By Chuck Koplinski
While Hollywood studios are often criticized for having a lack of imagination where feature films are concerned (too many sequels and reboots, thank you) and have been knocked recently for plumbing th
Film - Chuck Koplinski | Thursday, February 21,2013

Thief steals nothing but viewer’s time

By Chuck Koplinski
Identity Thief is the sort of film that attempts a great deal and succeeds at nothing. At once a slapstick comedy, a chase film and an exercise in tear jerking, director Seth Gordon fails to achieve a
Film - Chuck Koplinski | Thursday, February 21,2013

Die Hard 5 an abusive exercise in mayhem

By Chuck Koplinski
1980s action heroes have been taking it on the chin lately. In his comeback to the big screen, Arnold Schwarzenegger’s The Last Stand brought in a measly $12 million while Sylvester Stallone&rsq
Film - Chuck Koplinski | Thursday, February 14,2013

Shameless melodrama kills Haven

By Chuck Koplinski
I think I could make an argument that romantic movies are the hardest sort to make successfully. Tone and sincerity are so important in exercises of this sort and probably the most tenuous elements of