Cold started 2003 on a roll. After a five-year
apprenticeship with fellow Florida nü-metalheads Limp Bizkit,
the band was turning away from the chest-beating aggressiven
Most musicians hate to be categorized,
rejecting any attempts to label, contextualize, or otherwise rape
their divine muse. Because they are, like, totally unique, they
In "Exodus Damage," one of 14 quietly harrowing tracks on his
fifth and finest CD, John Vanderslice sings, "No one ever says a word about/So
much that happens in the world." If this is true, it'
Although no one can define it, most of us know
pornography when we see it, and we do not approve. Never mind that
we’re consuming it in record quantities; we still frea
Flamin' Groovies Shake Some Action
(DBK Works)
Was there ever a phrase more
redolent of rock than “shake some action”? In the
annals of horndog eloquence, itR
Lizz Wright isn’t the first jazz singer to
embrace gospel, blues, folk, and rock, nor is she the first jazz
singer to tell interviewers that she’s not really a ja
Dwight Yoakam is a purist and a reactionary,
but that doesn’t make him any less of a rebel. Despite his
old-school Bakersfield twang and unabashed reverence for golden-
It’s been more than a decade since Brian
Henneman first broke onto the national scene with the Bottle
Rockets, his alt-country band from Festus, Mo. Through the years
According to the press release for The World Is Saved, Stina
Nordenstam’s sixth CD, “This is some of the most
hopeful music Stina Nordenstam has ever recorde