David Fincher’s The Social Network is a work of contradictions. This is never more apparent than in its examination of Facebook founder Mark Zuckerberg (Jesse Eisenberg). This self-indulgent, aw]]> There’s nothing overtly offensive about Adam Sandler’s Grown Ups. There’s nothing terribly funny, or original either, in this tale about five middle age guys who reunite for a weeken]]> If there's a sacred cow left in Hollywood that isn't viciously skewered in Ben Stiller's Tropic Thunder, I don't know what it is. The narcissism and insecurity of movie ]]> While director Ruben Fleischer’s Gangster Squad lets us know that it’s “inspired by a true story,” it becomes clear early on that it’s much more interested in the artific]]> A solid film biography of Jackie Robinson is long overdue. Though it was made with the best of intentions and features the man himself, the 1950s The Jackie Robinson Story, isn’t a film that&rsq]]> Since its release at this year’s SXSW festival, Joss Whedon’s The Cabin in the Woods has been steadily building buzz. The writer/director’s rabid fans have taken to the blogosphere t]]> Confidence There's no question that screenwriter Doug Jung is a student of film noir. His script for Confidence touches on nearly every convention of the genre and straddles the line between homage a]]> Viewers are likely to be sharply divided after seeing J.J. Abrams’ Star Trek Into Darkness, his second entry in the venerable science-fiction series. Is it shamelessly derivative or an inspired ]]> When you’re in a slump, it makes sense to review what made you a success in the first place. With that strategy in mind, Disney’s animation division goes back to its roots with Tangled, an]]> Author Stephenie Meyer does the same to Jack Finney’s Invasion of the Body Snatchers with The Host as what she did to the vampire myth in Twilight – namely dumb it down with a sappy teen r]]> Men want to be James Bond; women want to be Carrie Bradshaw. Once you understand this, the appeal of Sex and the City is obvious. This New York babe has it all – professional success, a rich, go]]> Dickie Roberts Former Child Star In his early 30s Dickie Roberts (David Spade) is at the end of his rope. Once the child all America loved, thanks to a wildly successful sitcom and a catch p]]> My father used to say that while he dreaded taking us to see whatever the newest Disney animated feature was, he ended up having a good time once he got there. I have a similar feeling about DreamWork]]> Having redefined the superhero movie with Batman Begins and The Dark Knight, director Christopher Nolan faces the arduous task of following up the greatest entry in the genre and bringing a close to h]]> One of the things that made many of the classic horror films in the 1970s effective is they were done cheaply and sported a gritty esthetic. The fact that the images were grainy and that their low bud]]> Having stumbled upon a new career path with Taken, Liam Neeson has become the action star of the moment, parlaying the success of that film – which grossed a quarter of a billion dollars worldwi]]> Since its premiere early this month at the Toronto International Film Festival, much of what’s been written about P.T. Anderson’s The Master has focused on the film’s complexity as w]]> Pat Jr. (Bradley Cooper) has a lot on his mind. His mother Delores (Jacki Weaver) has just sprung him from a mental institution after an eight-month stay. Seems, at home he had walked in on his wife N]]>